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New School Leaders
Atarashii GAKKO!'s one-man live performance of the four-person dance vocal performance unit Atarashii Gakko! will be held on October 16th at TSUTAYA O-WEST in Tokyo. It was held. 4 photos: See more live photos Currently, an archive of online distribution is also available. Here is the official event report.
Tomei Hanpuku Tour Final Report
This time as the final performance of the Tomei Hanpuku Tour, the handwritten calligraphy that makes you feel their attitude, such as "Enjoy the moment with all your might" is displayed. The stage is a simple setting with a DJ booth and four backlights on the back screen. Beastie Boys' "Sabotage", which they respect, was selected as the venue BGM. The live started with SUZUKA's voice, "Tokyo. The leaders of the new school, we're starting." In "Final Humanity", SUZUKA's indoor shoes are taken off with a group gymnastics choreography that includes horse jumping. As it was the tour final, they were full of spirit. They expressed their theme of "protruding with all their might" with their whole body. The first half is filled with upper numbers such as "Koibun" and "Miyao", and the middle stage is "Koi no Kageki", "Ameya no Kiss", and "Wolf's Poetry", updating the world view of the Showa era to the sense of Reiwa, and further tailoring the skit. While showing off the dexterity of showing off, she overwhelmed the venue with her performance of singing and dancing with all her might.
The freshness and bottomless momentum of the new generation who will create a new sense of values in Japan
In the second half of the live, they performed the long-awaited new song “PINEAPPLE KRYPTONITE”. The venue was at its peak with a song produced by keyboard player Money Mark, who was active with the Beastie Boys in the 90s and was noted for his experimental and lo-fi style as a counter to the hi-fi scene. At the climax, they performed "NAINAINAI" and "Freaks", which express their hip-hop side, and made us feel the wide perspective of accessing the global music scene. At the end of the main part, he performed “Mazeba Takashi”, and in the encore, “Que sera sera”. It was an enthusiastic night that fully felt the freshness and bottomless momentum of the new generation who will create a new sense of values in Japan.
Rolling Stone Japan Editorial Department